Scomber - watercolor and cut paper
Scomber is a 16x20” piece created in watercolor and cut paper. This work surfaces from the “Murmurations” thread of the Collective Humanity series—a visual meditation on synchronized movement, shared direction, and the unspoken trust that binds individuals into a whole. Composed of hundreds of hand-cut watercolor gestures, the piece echoes the motion of a shimmering school of fish or a murmuration of starlings, where the shape of the collective emerges only through the harmony of its parts.
Named for the mackerel (Scomber), a fish known for its agile, coordinated swarms, this piece offers a refracted portrait of belonging—fluid and fleeting, but profoundly interwoven. Scomber asks us to consider: How do we move together in care? What rhythms guide us when we listen to one another, even without words?
Ships flat.
Scomber is a 16x20” piece created in watercolor and cut paper. This work surfaces from the “Murmurations” thread of the Collective Humanity series—a visual meditation on synchronized movement, shared direction, and the unspoken trust that binds individuals into a whole. Composed of hundreds of hand-cut watercolor gestures, the piece echoes the motion of a shimmering school of fish or a murmuration of starlings, where the shape of the collective emerges only through the harmony of its parts.
Named for the mackerel (Scomber), a fish known for its agile, coordinated swarms, this piece offers a refracted portrait of belonging—fluid and fleeting, but profoundly interwoven. Scomber asks us to consider: How do we move together in care? What rhythms guide us when we listen to one another, even without words?
Ships flat.
Scomber is a 16x20” piece created in watercolor and cut paper. This work surfaces from the “Murmurations” thread of the Collective Humanity series—a visual meditation on synchronized movement, shared direction, and the unspoken trust that binds individuals into a whole. Composed of hundreds of hand-cut watercolor gestures, the piece echoes the motion of a shimmering school of fish or a murmuration of starlings, where the shape of the collective emerges only through the harmony of its parts.
Named for the mackerel (Scomber), a fish known for its agile, coordinated swarms, this piece offers a refracted portrait of belonging—fluid and fleeting, but profoundly interwoven. Scomber asks us to consider: How do we move together in care? What rhythms guide us when we listen to one another, even without words?
Ships flat.